By Oghenekevwe Kofi, Guest Writer
The Lagos International Theatre Festival, LITF, held from 15 – 17 November, was heavy in promise, and it delivered even much more in blitz, glitzy and thrilling storylines adroitly executed by a stellar cast and array of stars. The event was everything it promised – and much more – across the four iconic venues where they unfurled simultaneously – the University of Lagos, Muson Centre, Terra Kulture, and the Glover Memorial.
The event, curated by the inimitable Bolanle Austen-Peters, came to a spectacular close on Sunday, leaving the audiences spellbound, inspired and craving more of the magic that only live theatre could deliver. The festival featured 23 stage productions that explored a wide spectrum of themes ranging from family and identity to love, greed, and societal expectations. With three international showpieces and a diverse lineup of Nigerian productions, LITF 2024 reaffirmed Lagos as a vibrant cultural hub for storytelling.
The festival featured a wide array of productions that showcased the richness of Nigerian and global theatre. Highlights included Idia Warrior Queen, Metsi (Water), Dear Kaffy, Satchmo at the Waldorf, Shaggi on Stage, Without a Kiss, Ibise: The Workstation Musical and The Human Angle. Others were Interception, My Mother My Sister, The Call, Olikperebu Mi, Who Tiff Mona Lisa, A Coffin Man in Love, Anatomy of a Woman, Kolo, Plato’s Psychosis, Divorce of Lawino, Conjugation of Bastards, Wanted In-Laws, Resentment, High, and Maami.
They were all as breathtaking as they were mesmerising plays that captivated audiences with their compelling narratives, unforgettable and eclectic performances delivered by some of the greatest, inspiring and upcoming aficionados in the industry, and innovative stagecraft.
Below are spotlights on some of the standout productions.
Dear Kaffy: Diary of a Single Woman in Lagos
Written and produced by Bolanle Austen-Peters, Dear Kaffy, Part 1 of a four-part series offered a humorous yet poignant exploration of singlehood in Lagos. With a stellar cast featuring Uzo Osimkpa, Jide Kosoko, Yvonne Jegede, Hector Ameriwo, and Ralph Okoro, the play provided a window into the pressures and joys of navigating love and independence in a bustling urban setting as Lagos. Its relatable themes and engaging performances made it a favourite at LITF 2024.
Ibise: The Workstation Musical
Directed by Floyd Igbo and Oluchi Odii and produced by Goodness Emmanuel and Chidinma Nebo, Ibise: The Workstation Musical presented an engaging and insightful look at workplace culture in Nigeria. The play combined humour, drama, and riveting musical numbers to explore teamwork, ethics, and leadership themes.
The story follows the ambitious CEO, Ms. Damilola Fatoba (played by Abiola Lepe), who is visited in a dream by a set of ethereal elements. Through this surreal encounter, she is schooled on the importance of team spirit and ethical practices, all on the eve of a significant day in her career.
Supported by a cast that included Eferoghene Ambrose, Flora Ayodele, Isoken Aruede, Sunny Michael, Leo Patrick, Rasheed Aluko, Louis Adekola and David Akpojisheri, the production captivated audiences through its compelling narrative and vibrant music directed by Kehinde Oretimehin.
Who Tiff Mona Lisa
This comedic masterpiece directed by Adebola Ogunshina and produced by Santa’s Cottage reimagined the theft of the world’s most famous painting through a distinctly Nigerian lens. Starring Temiloluwa Fosudo, Maryann Ivy Amakor and Tunde “Mister Rain” Ojobaro, the play used sharp humor and witty dialogue to explore themes of greed, corruption, and the value of art in society.
Its fast-paced plot and hilarious scenarios made it a hit with audiences while also prompting reflection on deeper cultural issues.
Olikperebu Mi
Set in the vibrant traditions of the Itsekiri tribe, Olikperebu Mi unfolds a captivating tale of love, greed, and cultural preservation. Produced and directed Toritseju Akiya Ejoh and starring Roli Thompson and Dere Mackson, among others, the play told the story of a princess overwhelmed by her beauty and high standards for suitors.
When a wealthy prince seemed to meet her impossible expectations, a grand wedding followed, but with devastating consequences. Featuring folk music, dance, and narration, Olikperebu Mi was a tribute to the Itsekiri culture and left audiences spellbound.
High
A contemporary drama tackling substance abuse, High explored teenage angst and social media pressures. Produced by Maggie Osuome and directed by Temi Ami-Williams, the play was brought to life by an ensemble cast including Johnson Ibeh, Justin Ben, Iyimide Ayo-Olumoko, Treasure Enagbere, Kem Aijeh-Ikechukwu, Patrick Dibuah, and Wonuola Akinremi. Others are Toluwa Odewumi, Kanyin Eros, Debbie Ohiri, Kevin T. Solomon, Kemi Olaoye, Ogunlela Toluwanimi, Jessica Orishane and Jennifer Osammor.
The production’s raw portrayal of an accidental overdose and its fallout resonated deeply, prompting conversations about mental health and the influence of technology on young lives.
Anatomy of a Woman
Directed by Austine Onuoha and Produced by Ihuoma Daniel for Nevana Productions., Anatomy of a Woman blended romance and comedy to examine the societal pressures unmarried women face. Featuring Goodness Emmanuel, Uche Chika Elumelu, Henry Diabuah, and Ajayi Akorede (Korexx), the play asks the timeless question: “What does a woman want?”
Its witty script and heartfelt performances provided both laughter and introspection, making it a standout of the festival.
My Mother, My Sister:
It is a story that is rarely heard, yet it resonates in many households today. The play follows Hope, a single mother, and her children as they navigate their lives. It explores the deep-seated, often undisclosed secrets that mothers carry, their boundless love, and the profound effects of generational trauma. This trauma, sometimes passed down unwittingly, can shape the future lives of the children.
The production sheds light on the complex relationships between mothers and daughters, with themes of sacrifice, emotional growth, and self-discovery. It gives audiences a glimpse into the untold struggles that often shape families from within.
The talented cast includes Mawuyon Ogun, Tosin Adeyemi, Blessed, Lilian Yeri, Dolly Phillips, Josephine Ewuru, Linda 1nneka, Onyegbula Sharon Adaeze, and Oluchi Odii. The musical atmosphere is crafted by Gbenga Adebayo, Emeka Anokwuru, and Nonso Emmanuel. Produced, directed, and written by Sisiano Paolo, who also designed the costumes, the play is a multi-faceted work that reflects the depth of his vision and creative expertise.
Cultural Legacy of LITF 2024
LITF 2024 not only entertained but also sparked meaningful discussions on contemporary issues while celebrating Nigeria’s rich cultural heritage. By showcasing both traditional and modern stories, the festival reminded audiences of the power of theatre to connect, educate, and inspire.
As Lagos looks to the future, the success of LITF 2024 serves as a testament to the city’s thriving arts community and its potential to continue being a beacon for global creativity.
LITF 2024 has further highlighted Bolanle Austen-Peters’ significant contributions to the Nigerian arts and entertainment industry. She has become a trailblazer in the Nigerian creative scene, blending art with business acumen and helping to elevate the profile of African storytelling on the global stage.
See you at LITF 2025!
